Two of the many treasures of Gyeongju
The master craftsman, Asadal whose job it was to oversee the construction of two pagodas within Bulguksa, must have regarded them as his own children. Considering the time and personal sacrifices he must have made to realise these national treasures, I’d like to think of them as his twins.
The pagodas take on an ethereal beauty at night
Whether or not they were a labour of love or just a job he did to put the bap in his bowl, whether or not Asadal grew to hate or love even more the pagodas after the suicide of his wife, no-one will ever know. But what is clear is that his pagodas have survived over 1200 years to keep the memory of his name alive.
Asadal's unidentical twins in Bulguksa's main courtyard
Lion on sentry duty in Dabotap
Apparently this was to acknowledge the greater nobility and compassion of Seokgamoni who chose to remain in the world of dust. It’s also unusual to find two pagodas on one temple site – due to an excess funds or virtue?
Shilla mastery of stone at its peak
These twin pagodas are both “outstanding examples of 8th century Unified Shilla architecture” and “skilfully balance the square, octagonal and circle in one design” but they’re not identical siblings. The first to be completed was National Treasure No. 20, Dabotap or the Pagoda of Many Treasures.
A hexagon on a circle above a square - Shilla stone masons play with geometry
It’s the more fanciful, decorative one that stands, 10.4 m tall, on a raised square with four staircases on each side. Each staircase has ten steps signifying ten great virtues ( paramitas). The lower four-sided levels become an octagonal roofed structure at the top. You can also check out its image on one face of the ten-won coin.
A great souvenir - Dabotap as a 3-D puzzle
In the 1920s, the Japanese took it apart and put it back together again – presumably looking for its many treasures but what they found remains a mystery.
In the 1920s, the Japanese took it apart and put it back together again – presumably looking for its many treasures but what they found remains a mystery.
The simple lines of Seokgatap are a striking contrast to Dabotap
Seokgatap or Sakyamuni Pagoda is a dramatic contrast to its sibling. Shorter at 8.2 m, its clean and unshowy outlines recall the wooden pagodas of China. Its three-storey design with eight stone lotus flowers at the top has been admired for its graceful appearance.
Who would've guessed this plain structure housed so many precious artefacts?
Restoration work during the 1960s revealed that this pagoda held a number of treasures such as a paper scroll sutra, printed between 706 and 751 A.D. and some gilt bronze boxes containing holy relics. For more on these treasures, check out this article from KBS.
While the ornateness of Dabotap reflects the complexity of the world, Seokgatap’s simplicity suggest a Yin-Yang balance of opposites. But others see them instead as “architectural manifestations of the Buddha’s simultaneous contemplation and detachment from the world”. Still sounds like Yin and Yang to me.
Click here for more of the Asadal legend.
source:
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Bulguksa-Dabotap_Pagoda-01.jpg































