Free Rides From Seoul To Gyeongju and Jeonju

The Visit Korea Committee is certainly spoiling visitors - tourists can now enjoy free and comfy bus rides from Gwanghwamun area in downtown Seoul to Gyeongju and Jeonju.

1. Where?

• Gwanghwamun area in downtown Seoul (Donghwa Duty Free Shop),
• also free shuttle buses from Busan to Gyeongju ( from July 1)

2. When?

• Every day of the week except Monday

3. How long does this offer last?

• June 1, 2010 - December 31, 2010 ( so hurry! Make your weekend plans for day-tripping now!)

4. What times?

• Click here for details

5. How do I get it?

• Apply now at http://english.visitkoreayear.com (Korean, English, Japanese, Chinese)
• "Sign up in advance through the Visit Korea Committee official home page at www.visitkoreayear.com (two tickets per person). If more than 28 people make reservations for any given day, there will be a random drawing to decide the winners of the free tickets. Winners will be announced on the homepage or individually notified by phone."
• For more details on the free tickets, please email to qhyuni130@yahoo.com.
• Inquiries: +82-2-6272-7301 (English) 

6. What are the perks beside the free round-trip ride?

• The buses are comfortable 28-seaters, equipped with Internet connection, DVD systems with personal earphones, and various tourist guidebooks.
• You also get free guidebooks of Gyeongju and Jeonju, a booklet about Korean culture and tours, a welcome-kit and a souvenir of “Visit Korea Year"

7. What are the drawbacks?

• It seems to be only for day-trips and I can't imagine squeezing all the attractions of either city into a single day.
• It's only for non-Korean nationals so if you planned going with a Korean friend, that would be tricky.
• The drop-off and pick up point for Gyeongju doesn't seem very convenient as it is at the Bomun Lake Resort (Hyundai Hotel-Hilton Hotel-Concord Hotel) which is a distance away from the main attractions of Gyeongju. You'd have to get a bus or taxi to places like the tumulis, the museum, Seokguram Grotto or Bulguksa.

sources:
http://asiaenglish.visitkorea.or.kr/ena/FU/FU_EN_15.jsp?cid=1037293
http://www.visitkoreayear.com/
http://asiaenglish.visitkorea.or.kr/ena/SI/SI_EN_3_6.jsp?cid=996963
http://asiaenglish.visitkorea.or.kr/ena/SI/SI_EN_3_6.jsp?cid=794336

Gamsa- Hamnida to Some Gentlefolk of Gyeongju

To Certain Gentlefolk of Gyeongju,

First of all, thank you to our hosts in Sarangchae ( 054-773 4868) for maintaining a traditional-style house and renting out rooms for tourists.

My friend and I had flown into Ulsan from Jeju, just missed the shuttle bus by a minute or so (a warning to fellow travellers not to be tardy) and so arrived in Gyeongju late in the evening. So it was a relief to plonk ourselves into the cosy beds in your guesthouse and bask in the charming atmosphere of a bygone time.

At the same time, you thoughtfully provided your guests with modern amenities such as free Internet access and a kitchen in which we could fix ourselves a quick supper of instant noodles.

Unfortunately traditional style living dictates that the bathroom and toilet facilities are located away from the sleeping quarters and we weren’t prepared to continue to trudge the distance in the chilly early winter evening. So in the end, I’m sorry to admit that we decided to change to another place with zero physical charm but all the practical convenience of an attached bathroom.

But now it’s my turn to say Mian-hamnida to Mr Kwon Young-joung, the friendly proprietor of Hanjin-jang Yeogwan (tel 771 4096). The plainness and unmemorable appearance of his yeogwan is offset by the warm reception and farewell we got at his place – Gansa-hamnida to you, Mr Kwon, for the lovely chopstick tokens you presented us when we said goodbye to you. Sorry we missed your home-made entertainment ( do you really have performing scorpions?) but thank you for placing the reproduction of the Emile Bell at your reception counter. If I hadn’t had a chance to fall in love with its sound, I wouldn’t have bought my own replica at the Bulguksa souvenir shop.


Finally, CHONG-MAL GAMSA-HAMNIDA to a kind anonymous ajumma who helped us when we got lost somewhere on the streets of Gyeongju city. We stopped you, a complete stranger, simply hoping that you would point out the right direction to take to get back to our yeogwan. Instead you signalled that we should follow you into your car. We were completely floored when you actually drove us back right to the doorstep of Hanjin-jang. Maybe your kindness was prompted by the fact that you reckoned it was less convenient to tell us where to go ( given our very scanty Korean and your limited English) or perhaps it was out of national pride that Koreans take good care of foreign visitors. I’d like to think it was one of the many spontaneous acts of hospitality that I’ve experienced with your fellow citizens as you were so matter-of-fact about the whole matter.

Yours gratefully,
A non-Korean ajumma

sources:
http://english.visitkorea.or.kr/enu/SI/SI_EN_3_1_1_1.jsp?cid=398684&nearBy=site
http://www.flickr.com/photos/globalismpictures/1534962452/

Top Ten Things To Do At Gyeongju - A Personal Must-Do List

Here's my LIST OF THINGS TO DO WHEN I REVISIT GYEONGJU

( Gyeongju's own website http://eguide.gj.go.kr/)

Not so easy to seek  serenity in Seokguram if there are hundreds beside you with the same intent?

1. Catch the first rays of sunrise from Seokguram or at least from the top of Tohamsan. Soak in the peace and serenity in the grotto before the tourist hordes descend onto this place and finally, continue a meditative walk down to Bulguksa. Hopefully this helpful chart for sunrise times will be updated. The walk up is apparently steep and takes a few hours so I'm keeping my fingers crossed that I can wake up early enough to get a cab or better still, see if hermitage will allow visitors to stay overnight.

I'd like to ask the guide,  for example,  why these steps in Bulguksa are called the staircase of 48 desires.

 2. Buy a proper guidebook or get an English-speaking guide to point out all the important features of Bulguksa. For earlier postings on Bulguksa, please click here and here.

3. Trek up the Namsan Skyway, low mountain south of Gyeongju which is chockful of Shilla relics ( tombs, statues, pavilions, pagodas, temples). The Lonely Planet promises “an exhilarating experience” exploring the various trails. source: http://www.sherwinvjones.com/gyeongjublog/wp-content/uploads/2009/11/Namsan-English-New-Map-150ppi.gif

The pond is dry and so is my inspiration?

4. Seek inspiration to compose sijo without benefit of soju at Poseokjeongji, the pond in a banquet garden where Shilla kings enjoyed conjuring up poems in contests while drinking. Poseokjeongji is the only banquet garden left in the world. Pity the water source has been cut off. Would've been fun to see how long the drinking cups take to float from one end to the other of  the abalone-shaped stream.

5. Take a day-trip out to Yangdong Folk Village, a village which has existed since the Yi dynasty ( 15th and 16th centuries). Many traditional houses are still occupied by the descendants of the yangban ( aristocracy).

pic source: http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Yangdong.Village.jpg

pic source: http://upload.wikimedia.org/wikipedia/commons/d/d1/View_of_Gyeongju-Korea-01.jpg

6. Stroll around Bomun Lake especially in spring when cherry trees which line the road around it are in full bloom. Also, have an outdoor picnic while watching traditional dances at the Bomun Outdoor Performance Theater near the TIC there.

Hopefully the museum displays also have explanatory notes in clear English

7. Visit the Shilla History Hall of Science a.k.a. Shilla Museum of Art and Science  which has models of Seokguram and Cheomseongdae amongst other exhibits.

Many scenes for MBC's historical drama, Queen Seondeok were shot at the Shilla Millennium Park

8. Try some of the rides and watch the performances at the Shilla Millennium Park, an amusement park with a distinctively Shilla appearance although replicas of  Constantinople, Baghdad, Changan (present-day Xian) are also featured. "The floating stage symbolizes the seas through which the four cities conducted trade and exchanges, while the land stage represents the Silk Road, the ancient over-land trading route." Also plan to enjoy the foot spa using hot spring water before cooling off with an ice-cream  in the replica of Seokbinggo, the Shilla ice-room. Must also check out the cafeteria in the Emile Tower in the park which is built in the shape of the Emile Bell. For more info, click here.

9. Spend time contemplating in Oksan Seowon, a Confucian academy ( like the Doseon Seowon near Andong). The Lonely Planet describes it as having “sublime setting surrounded by shade trees and overlooking a stream with a waterfall and rock pools”.

10. Buy Hwangnam-bang  – the popular local pastry filled with red-bean paste. Absolutely delicious when freshly baked.  Great snack to chomp on while clambering over Namsan Skyway.

A Longer, Closer Look at Seokguram, Part 2

Seokbulsa ( Stone Buddha Temple) became known as Seokguram during the Japanese colonial period. More than 1200 years old, it has been listed as a World Cultural Heritage Site by UNESCO in 1995. National Treasure No. 24 of Korea is situated facing the East Sea on Tohamsan, Gyeongju.

This model from the Shilla Art and Science Museum reminds visitors that Seokguram isn't a temple built into a dug-out cave. It's actually a fully man-made construct built from granite upon a mountain-top. This type of grotto, called a "caitya" cave ( literally, a sanctuary)  is unlike the "vihara" caves ( shelter for monks with a chapel)  usually found in India and China.

The cut-away model here shows the rectangular antechamber which stands for earth. It leads to a short vestibule before the main domed chamber representing heaven. The mathematical precision of the structure suggests adherence to the architectural principles of the Golden Rectangle and La Porte d'Harmonie ( The Door of Harmony).

Thirty wedge-shaped rocks called "Dong-tul" arranged in a square shape are part of what makes Seokguram grotto special. The ingenious ventilation system, comprising five air passages above the shrine, have also contributed to the longevity of Seokguram. Ancient devotees could walk around the seated Buddha and pay closer attention to the fifteen panels of bodhisattvas, arhats and ancient Indian gods as well as ten miniatures of saints in the niches above.

Bas-relief carvings of two Vajrapanis, guardians of the temples make threatening gestures at the entrance into the rotunda.

The skill of Shilla stone masons is to be admired as they transform granite into facial creases, rippling muscles and flowing pants.

 Buddha here is carved from a single granite block. There's some debate as to which Buddha he actually stands for - Seokgamoni or some other incarnation.

Buddha's lotus-shaped seat on a stone foundation is 1.34 meters tall. Lotus petals form the top and bottom sections while eight panels are sandwiched in between.

Buddha's hand positions ( mudras) signify his enlightenment. His right hand touches the earth; either this means him calling the earth to bear witness to his enlightenment. Check out the second video in the previous posting for a close-up shot which shows lines carved into his open palm.

The usnisa , which is the part of the head protruding on the top, symbolises his wisdom. The illusion of a halo is created by engraving a roundel decorated with lotus petals on the edge. This is another unique feature of Seokguram as other statues of Buddha tend to have the aureole attached to the head. Compare the photos above and below. A crystal or diamond could have been placed in the indentation in the middle of his forehead. Imagine the sunlight streaming into the gloom of the grotto and being reflected by a brilliant gem.

Play eye-spy with your little eye as you try to identify the three bodhisattvas, ten disciples, two Hindu gods in bas-relief AND ten statues of bodhisattvas , saints and faithful followers in the niches PLUS the Eleven-Faced Avalokitesvara standing right behind Buddha.

The ceiling is embellished with half moons and capped with a lotus flower. The design from top to bottom recalls the Jewel Net of Indra. According to Kang Woobang, " an extraordinary craftsman...wove a most excellent net which extends endlessly in all directions. On each knot of this net hung a jewel and the jewels mirrored, not only the adjacent jewels but also the multiple images reflected in them. This is a symbolic explanation of the ever-repeating mutual relationship between all things in the universe."

"One is all, and all is one". Yet doesn't the capstone remind one of a Yin-yang symbol or a divided Korea?

Architects, engineers, stone masons, sculptors, priests, government officials, mathematicians, astronomers and ordinary construction workers worked together to create this thing of scientific marvel, beauty, and spiritual inspiration. Pity they're no longer around - they could've taught the delegates at Copenhagen a thing or two about co-operation, harmony, and the bigger picture.

Sources:
http://www.sacred-destinations.com/south-korea/images/seokguram/resized/buddha-wc-gfdl.jpg

http://www.visitkorea.or.kr/enu/asis/wallpaper/0707/paper0707_03_1024.jpg
http://www.visitkorea.or.kr/enu/AK/AK_EN_1_6_4_5.jsp
http://english.cha.go.kr/
http://211.57.113.1/jsp/vr/cybertour_main.jsp?codeid=01010602&eflag=E
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Seokguram-12.jpg
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Silla_Art_and_Science_Museum-Seokguram_model-03.jpg
http://english.visitkorea.or.kr/cms/content_travelGoods/41/676641_images_4.jpg
http://english.visitkorea.or.kr/cms/resource/54/156354_image2_1.jpg
http://media-cdn.tripadvisor.com/media/photo-s/01/40/37/89/gate-of-seokguram-grotto.jpg
http://www.sacred-destinations.com/south-korea/images/bulguksa/resized/path-from-seokguram-cc-martinroell.jpg
http://koreanhistory.info/Shilla.htm
http://english.visitkorea.or.kr/enu/SI/SI_EN_3_1_1_1.jsp?cid=264260
http://en.wikipedia.org/wiki/Seokguram
http://english.triptokorea.com/english/UserFiles/Image/daily%20tour/Gyeongju/Seokgurm%20Grotto2.jpg
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Silla_Art_and_Science_Museum-Seokguram_model-02.jpg
http://farm4.static.flickr.com/3109/2831368349_559a774cc7.jpg
http://stone.buddhism.org/eng/seokguram/
http://www.buddhism.org/board/read.cgi?board=WhatsNew&y_number=26

A YouTube Tour of Bulguksa and Seokguram

Here's an NHK production featuring Bulguksa and Seokguram in Gyeongju. The video clip is a bit too short for my liking especially the abrupt transition into the interior of Seokguram but there are some nice angled shots and close-ups. Better than amateur hand-held cam videos that give one a headache from all the reflective glass in the grotto and jerky camerawork.

Click here for another video on Seokguram and Bulguksa. It's older - judging from the older spelling i.e. Pulguksa and Sokkuram  and the sound quality isn't good but it's even more enlightening.

A Longer, Closer Look at Seokguram, Part 1

1938 picture of Seokguram - my favourite pic of the grotto

After reading So Jae-gu’s essay, “Stone: The Mirror of Our Soul”, I’d like to revisit Seokguram Grotto and pay closer attention to this remarkable structure. During my first visit to the place, I was more taken by the freshly-fallen snow as it was my first experience of winter. Moreover, I hadn’t done my homework as a tourist.

The shuttle bus stops here and your short walk to Seokguram begins here

Instead of reading up on the place beforehand, I had mistakenly thought Seokguram was a shrine built into a natural cave like many of the Buddhist shrines and statues carved out of the softer rocks in India but I now realise the cave itself is a man-made grotto made up of hundreds of granite stones. What’s even more impressive is that they were joined, not by mortar but by stone rivets. That’s almost like a wooden house built without using nails.

From this distance, Seokguram looks like a tumuli lurking behind a shrine

Taking the shuttle bus from Bulguksa may be a convenient way to get to Seokguram but I hope I can do it the hard and long way the next time. By walking the full four kilometres up the steep and winding path up Tohamsan, I’d be able to appreciate better those labourers who had to haul blocks of granite up 750 meters above sea level to erect a hermitage for the Buddhist devotees of the past. Moreover, Tohamsan was regarded as a holy mount so to rush up to Seokguram in fifteen minutes or so by bus seems a little unsporting or even sacriligious.

Follow in the footsteps of ancient pilgrims and skip the shuttle bus up Tohamsan

Some experts believe the tiny hermitage was specially built as a private chapel for the Shilla royalty while ordinary pilgrims prayed in Bulguksa. Some think Kim Dae-Seong who oversaw the building of Bulguksa, wanted to dedicate the larger temple to his parents of his reincarnated life while Seokguram was intended as a memorial to the parents of his previous life. A third theory suggests it was meant as a supernatural or spiritual bastion to ward off possible invasions from Japan by positioning Buddha to face the east. Apparently it’s possible to glimpse the East Sea ( Sea of Japan) from inside the grotto.

Chapel, memorial or national defence?

The year in which construction began is also debatable – either 742 or 751 A.D. but it was completed in 774. Seokguram was initially named Seokbulsa ( Stone Buddha Temple) and it’s not clear when it was given its present name. The royal chapel fell into hard times and was abandoned and forgotten by all save local devotees during the Joseon Dynasty (1392- 1910) as the Joseon kings favoured Confucian ethics. It was only in 1909 during the Japanese occupation of Korea that Seokguram was rediscovered when a Japanese postman took refuge from the rain in what seemed like a cave. Unfortunately for him, Koreans don’t care much to keep a record of his name so the humble Jap who stumbled upon one of the most important symbols of Korea remains nameless.

Cut-away model of the man-made grotto

Even more unfortunate for Seokguram was the timing of its rediscovery. The Japanese colonial government actually decided to take it apart to repair it between 1913 and 1915. In doing so, the original arrangement of stones which allowed the grotto to “breathe” was disturbed. The use of cement and iron to cover the whole structure led to leaks and erosion as the natural ventilation of the cave was compromised.

Doesn't that crack in the capstone look like the ...?

Worse still, hot steam was used to clean the moss off the granite surface. One writer aptly described the whole fiasco during the Japanese occupation as a case of “torture in the name of preservation”. The Japanese also did another great disservice to Seokguram by promoting it as a cave temple that was part of the Buddhist architectural heritage from India instead of the man-made grotto which it is.

Admire the immaculate paving on the floor

Only when proper studies of the structure of the grotto were made in the 1960s, the problems of high humidity and botched waterproofing could be resolved. Still, thorny issues remain unresolved – a wooden façade was added to the antechamber upset many for two reasons.

A necessary evil - to protect Buddha from tourists

The superstructure blocked off views of the sunrise, thus denying to future generations brilliant photo-opportunities and inspiration of enlightenment. Secondly, the passage of air into the grotto was cut off which again disrupted its natural ventilation. Another barrier- this time, a glass one, was put up between the Buddha and visitors. The glass wall was intended to protect Buddha from graffiti and vandals as well as to control the temperature within.

Study the models in the Shilla Science History Museum

to appreciate fully the achievement of the Shilla artisans

One other thing I’d like to do is to visit the Shilla Science History Museum in the Folk Craft Village of Gyeongju. Its cutaway models of Seokguram illustrate the ingenuity of its engineers and artisans and the beauty of its design. For more pics, click here but a word of warning: the English notes on this page are as tortuous as the early attempts to conserve Seokguram!

sources:
http://www.sacred-destinations.com/south-korea/images/seokguram/resized/buddha-wc-gfdl.jpg

http://www.visitkorea.or.kr/enu/asis/wallpaper/0707/paper0707_03_1024.jpg
http://www.visitkorea.or.kr/enu/AK/AK_EN_1_6_4_5.jsp
http://english.cha.go.kr/
http://211.57.113.1/jsp/vr/cybertour_main.jsp?codeid=01010602&eflag=E
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Seokguram-12.jpg
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Silla_Art_and_Science_Museum-Seokguram_model-03.jpg
http://english.visitkorea.or.kr/cms/content_travelGoods/41/676641_images_4.jpg
http://english.visitkorea.or.kr/cms/resource/54/156354_image2_1.jpg
http://media-cdn.tripadvisor.com/media/photo-s/01/40/37/89/gate-of-seokguram-grotto.jpg
http://www.sacred-destinations.com/south-korea/images/bulguksa/resized/path-from-seokguram-cc-martinroell.jpg
http://koreanhistory.info/Shilla.htm
http://english.visitkorea.or.kr/enu/SI/SI_EN_3_1_1_1.jsp?cid=264260
http://en.wikipedia.org/wiki/Seokguram
http://english.triptokorea.com/english/UserFiles/Image/daily%20tour/Gyeongju/Seokgurm%20Grotto2.jpg
http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Silla_Art_and_Science_Museum-Seokguram_model-02.jpg
http://farm4.static.flickr.com/3109/2831368349_559a774cc7.jpg
http://stone.buddhism.org/eng/seokguram/
http://www.buddhism.org/board/read.cgi?board=WhatsNew&y_number=26

Asadal's Troublesome Twins, Bulguksa Part 5

Two of the many treasures of Gyeongju

The master craftsman, Asadal whose job it was to oversee the construction of two pagodas within Bulguksa, must have regarded them as his own children. Considering the time and personal sacrifices he must have made to realise these national treasures, I’d like to think of them as his twins.

The pagodas take on an ethereal beauty at night

Whether or not they were a labour of love or just a job he did to put the bap in his bowl, whether or not Asadal grew to hate or love even more the pagodas after the suicide of his wife, no-one will ever know. But what is clear is that his pagodas have survived over 1200 years to keep the memory of his name alive.

Asadal's unidentical twins in Bulguksa's main courtyard

The two pagodas stand side by side in the main courtyard which represents the “impure land” of Seokgamoni Buddha which, interestingly, has been made more prominent than another courtyard which stands for the “pure land” of Amitabha.

Lion on sentry duty in Dabotap

Apparently this was to acknowledge the greater nobility and compassion of Seokgamoni who chose to remain in the world of dust. It’s also unusual to find two pagodas on one temple site – due to an excess funds or virtue?

Shilla mastery of stone at its peak

These twin pagodas are both “outstanding examples of 8th century Unified Shilla architecture” and “skilfully balance the square, octagonal and circle in one design” but they’re not identical siblings. The first to be completed was National Treasure No. 20, Dabotap or the Pagoda of Many Treasures.

A hexagon on a circle above a square - Shilla stone masons play with geometry

It’s the more fanciful, decorative one that stands, 10.4 m tall, on a raised square with four staircases on each side. Each staircase has ten steps signifying ten great virtues ( paramitas). The lower four-sided levels become an octagonal roofed structure at the top. You can also check out its image on one face of the ten-won coin.

A great souvenir - Dabotap as a 3-D puzzle

In the 1920s, the Japanese took it apart and put it back together again – presumably looking for its many treasures but what they found remains a mystery.

The simple lines of Seokgatap are a striking contrast to Dabotap

Seokgatap or Sakyamuni Pagoda is a dramatic contrast to its sibling. Shorter at 8.2 m, its clean and unshowy outlines recall the wooden pagodas of China. Its three-storey design with eight stone lotus flowers at the top has been admired for its graceful appearance.

Who would've guessed this plain structure housed so many precious artefacts?

Restoration work during the 1960s revealed that this pagoda held a number of treasures such as a paper scroll sutra, printed between 706 and 751 A.D. and some gilt bronze boxes containing holy relics. For more on these treasures, check out this article from KBS.

While the ornateness of Dabotap reflects the complexity of the world, Seokgatap’s simplicity suggest a Yin-Yang balance of opposites. But others see them instead as “architectural manifestations of the Buddha’s simultaneous contemplation and detachment from the world”. Still sounds like Yin and Yang to me.

Click here for more of the Asadal legend.

source:

http://upload.wikimedia.org/wikipedia/commons/f/f9/Korea_bulguksa_temple-2005-08-23.jpg

http://upload.wikimedia.org/wikipedia/commons/b/b8/Bulguksa_3.jpg

http://en.wikipedia.org/wiki/File:Korea-Gyeongju-Bulguksa-Dabotap_Pagoda-01.jpg

http://gratefulseoul.com/?cat=3

http://upload.wikimedia.org/wikipedia/commons/b/b8/Bulguksa_3.jpg

http://www.busannavi.jp/go/bbs/board.php?bo_table=gj_2&wr_id=16

http://www.mediathai.net/module/travel/travel_article_technic_detail.php?article_id=76

http://www.3d-puzzle.ru/zadmin_data/goods.image/149.jpg

http://dream.eng.uci.edu/isorc2006/images/seokgatap.gif

http://202.232.86.81/b_menu/hakusho/image/hpae200001/xb1040502.gif

http://www.prkorea.com/photo1/upfile/e1205c82b01df70df3ecf720e30241bf

Reconstructing Bulguksa, Part 4

Reconstructing Bulguksa was a tricky challenge - with most of its 80 buildings destroyed by fire and overrun by Mongol and Japanese invader and local robbers, much of the planning ( between 1969 and 1973) for rebuilding this historical temple depended on excavations as reference points. Historical literature was another vital source of information and comparisons with other buildings which belonged to the same period were made as well. There's also a tug-of-war between the desire to replicate the experience of the past and the need to preserve the relics for the future.

So here are three compromises made in the reconstruction of Bulguksa:

First, as Kim Bong-Gon, Director-General for the National Institute of Cultural Heritage pointed out, "Although the existing stone structues in Bulguksa belong to the Unified Shilla Period, ( structures like)  Museoljeon, Gwaneumjeon and the corridors were reconstructed in accordance with the style of the Joseon Dynasty".

A firm decision was made as well to limit the reconstruction to the bridge staircases in the facade and exclude the original pond that was under the bridge staircases.

Finally, to ensure that National Treasures No .22 and 23 remained in good condition, the bridge staircases have been cordoned off and tourists can only gain access to the main temple grounds by a side entrance.

Conscientious tourists who want to reduce their carbon footprint may console themselves by enjoying the reconstruction of Bulguksa with cyberview tours here. ( Scroll down after the jump till you see the pic below and click on the red arrows). Happy armchair travelling!

Sources:
http://english.visitkorea.or.kr/enu/SI/SI_EN_3_1_1_1.jsp?cid=264261

http://jikimi.cha.go.kr/english/world_heritage_new/Bulguksa.jsp

http://211.57.113.1/jsp/vr/cybertour_main.jsp?codeid=01010501&eflag=E

http://en.wikipedia.org/wiki/Bulguksa

http://www.orientalarchitecture.com/koreasouth/gyeongju/bulguksa.php

http://theseoultimes.com/ST/?url=/ST/db/read.php?idx=1912