While Mother Nature was throwing a a pretty intimidating temper tantrum last Sunday afternoon, the audience who attended a cultural performance presented by the Jang-Seung Eouri Art Troupe were treated to a quite an interesting time. This fund-raiser, organised by BGF ( Buddhist Gem Fellowship)
in collaboration with Sam Poh Thong and held at the MAS Academy auditorium in Petaling Jaya, Malaysia was quite well-attended though the attendees were presumably members of various Buddhist groups in the country. It would've been even more heart-warming if the audience had been more diverse but I guess the young Hallyu fans were saving their money for another SuJu or 2 AM ( or is it 2 PM ?) concert.
The event started off a bit too sedately though not surprisingly but it soon warmed up and got the audience tapping their feet, clapping their hands and even asking for an encore from the musicians. The MCs, a Malaysian and a Korean, were nowhere to be seen at the beginning which was a little surprising but they did offer interesting snippets of information about the backdrop for the first one-third of the concert. What did raise my eyebrows was the Taenghwa (탱화, San.: Thangka i.e. a painting of Buddha images or stories from the Sutras on silk or hemp cloth.) which formed the backdrop for the first section of the concert. This one though, which is a replica of an original masterpiece featured the Goddess of Mercy.
Part 1 Making An Offering To Buddha
- Bopgo - Dharma Drum Dance performed by the Venerable Seong Ju
Memo to Self - Remember NOT to have ANY expectations! This particular Bopgo was a far cry from the intense drumming I had heard on previous visits to the temples in Korea. Philistine that I am, I couldn't help wishing the Ven. Seong Ju had kept to convention instead of giving us her artistic interpretation of the daily ritual intended to "awaken all sentient beings and open their minds to participate in the Dharma or Buddhist Law so that they may be delivered from suffering".
So, mian-hamnida to Ven. Seong Ju but I was really disappointed with the slow -moving opening item which barely contained much contact with the drum. The latter wasn't as huge as anticipated either, so that was another disappointment. I felt let-down particularly because I was hoping my companion could hear what I had heard and fallen in love with before. Looks like I'll have to drag her to a temple to Korea myself one of these days just so she can hear for herself what I've been raving about.
Click
here then for some idea of what I'm missing.
No idea how close this dance item is to the original choreography but according to one website, "monks perform this dance...to purify the place by defeating evils". The dance aims to make people have "righteous minds" so I suppose one would really need to be educated in an appreciation of Buddhist performance arts to really appreciate what's going on.There are supposed to be 84 rhythms but I forgot to listen out for these. Either the music didn't sound that varied in its rhythmic patterns to my uneducated ears or maybe I was nodding off because I didn't have enough sleep the night before.
Two ladies presented this item and we could applaud their ability to maintain their balance despite all the turning round and round which they had to do. Still, one couldn't help wishing they had been moving in unison a little more closely and this is where I suppose I had underestimated the efforts and endless practises to achieve the clockwork precision of Girls' Generation dances. ( Horrors - am I drawing parallels between the sacred and the profane??? ) Plus I would've liked the ajummas to bang their cymbals with more conviction. The rather lady-like sounds they produced would NOT have been very effective in scaring any demon away. Still, I'm glad for the chance to see this dance because it wouldn't be something one comes across easily, unless one happened to be at some temple during a Buddhist celebration, I figure.
Here are some notes on two dances from another source:
"The ‘ Barachum’ (바라춤, Cymbals Dance) is a temple dance which, through clasping our fists and unclasping them, represents our vow to live in harmony, and to accept the teachings of the Buddha and to promulgate them. (Its origin goes back to the time of the ‘Bara’.)
The purpose of the ‘Nabichum’ (나비춤, Butterfly Dance) is to gather together all gods in the whole. It also calls all sentient beings that have not come back to life in order that they may repent of all sins and bad karma, and create good karma. Therefore, the moves and steps of the Barachum (바라춤, Cymbals Dance) and Nabichum (나비춤, Butterfly Dance) are solemn and strict, and are done with clear and unattached mind. Therefore, these movements symbolize the true meaning of ‘Seon’ (J : Zen). For example, the basic movements of the Dances are to take steps tracing the Chinese character (‘丁’, K: Jeong, 정). The main movements are; to turn around in circles signifying integrity and harmony, to clasp and unclasp the hands signifying love and compassion, and to fold and unfold the body symbolizing taking refuge."
To be continued....
sources:
http://www.bovis.tv/index.php?id=14,36,0,0,1,0
http://eng.koreatemple.net/culture/default.asp?cat_id=10&page=3
